From there, the boundaries of time, space, and sexuality are erased as José is once more sucked into Pedro's vampiric orbit. As his belated second feature nears completion, his reclusive bubble is popped by two events: a sudden reappearance from an ex-girlfriend and a package from past acquaintance Pedro: a reel of Super-8 film, an audiotape, and a door key.
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Though showing such diverse influences as the French New Wave, Wong Kar-wai's early films-and, yes, Rebel Without a Cause-Tsai's film is most remarkable for introducing his startlingly unique vision to world cinema. Rebels of the Neon God is a remarkably impressive first film that hints at the promise of its director: a talent confirmed by Tsai's equally stunning second feature, Vive L'Amour (Golden Lion, Venice), and continuing to his most recent film, Stray Dogs, which ranked high on many "best of" lists last year. Hsiao-kang stalks Ah-tze and his buddy Ah-ping as they hang out in the film's iconic arcade (featuring a telling poster of James Dean on the wall) and other locales around Taipei, and ultimately takes his revenge. The loosely structured plot involves Hsiao-kang, a despondent cram school student, who becomes obsessed with young petty thief Ah-tze, after Ah-tze smashes the rearview mirror of a taxi driven by Hsiao-kang's father. His debut already includes a handful of elements familiar to fans of subsequent work: a deceptively spare style often branded "minimalist" actor Lee Kang-sheng as the silent and sullen Hsiao-kang copious amounts of water, whether pouring from the sky or bubbling up from a clogged drain and enough urban anomie to ensure that even the subtle humor in evidence is tinged with pathos.
All titles will be available for purchase on December 28.ĭescription: Tsai Ming-liang emerged on the world cinema scene in 1992 with his groundbreaking first feature, Rebels of the Neon God. Vinegar Syndrome has announced and detailed nine new partner label releases that will be available for purchase later this month.